Classical
Sonntagskonzerte im LIECHTENSTEIN MUSEUM
Available dates
There are no active performances for this event!
Venue
Liechtenstein Museum Fürstengasse 1 1090 Wien AustriaEvent details
Description
The Liechtenstein Museum is regarded as the most significant private collection of the world and guarantees highest quality and diversity. Every Sunday from 2:00 pm to 3:00 pm the museum offers its visitors superior baroque concerts which take place in the impressive Hercules Hall. <!--[if !supportEmptyParas]--> <!--[endif]-->
Museum visit included in the entry price!
Tickets for the Sunday concerts are available on weekends and also during the opening hours at the museum ticket window, Fri.-Mon. from 10:00 am to 5:00 pm.
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<!--[endif]--> PROGRAMME:
4 Nov.: “Ich bin vergnügt”
The cantatas “Trauermusik eines kunsterfahrenen Canarienvogels” from Georg Philipp Telemann and “Ich bin vergnügt mit meinem Glücke” from Johann Sebastian Bach are only two of the entertaining programme points. The soprano Ursula Fiedler will be accompanied by a instrumental ensemble through this humorous programme.
11 Nov.: Classical Violin Sonatas
A selection of the numerous sonatas for piano and violin from Wolfgang Amadeus Mozart and Ludwig van Beethoven have been arranged by the violinist Thomas Fheodoroff and Stefan Gottfried on the pianoforte: of which to be heard is Mozart’s sonata in G major (KV 379) “…welche ich gestern Nachts von 11 Uhr bis 12 Componirt habe” as well as also Beethoven’s G major sonata op. 30/3.
18 Nov.: En Trio
Ingomar Rainer with his ensemble studio da camera has chosen for this concert pieces from German and French baroque: works from Dietrich Buxtehude, Johann Heinrich Erlebach, Jean-Philippe Rameau and Georg Philipp Telemann and instrumentation with violin, viola da gambe and harpsichord.
25 Nov.: Giro D`Italiano
A musical tour through passionate Italy of the 17th and 18th centuries with the ensemble musica novantica Vienna. The selection of pieces guarantees an exciting and diverse concert afternoon. Trio sonatas and solo sonatas for the transverse flute as well as the violoncello between Venice and Nepels from Arcangelo Corelli, Antonio Vivaldi and Domenico Gabrielli.
2 Dec.: Musical Advent Begin
With Advent and Christmas songs of varied styles and epochs, the Amerling Choir will get one in the right mood for Christmas. The young, mixed a cappella choir will give their best on pieces from different countries and cultures.
9 Dec.: Venetian Christmas
The Concilium musicum Wien and the soprano Arno Raunig will play vocal and instrumental Christmas music from Antonio Vivaldi, Nicola Antonio Porpora, Baldassare Galuppi, Tomaso Albinoni and Johann Adolph Hasse. Musical treasures from the Venetian area convey the feeling of Christmas.
16 Dec.: Dance Through the Centuries
Dance has always been an important societal factor. It was for a young noble of the Renaissance not less important, to learn the noble arts of Venus like the handling of weapons, and as seen in the course of the 18th century through the rise of the bourgeois society an increasing development of a broadened public and also private dance culture. The ensemble Ensemble Musica et Saltatoria Salzburg accompanies this programme with music from John Dowland, Henry Purcell, Wolfgang Amadeus Mozart and others.
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<!--[endif]--> 23 Dec.: A Small Tour Through Music History – Children’s Concert in the Hercules Hall
Angelika and Robert Rieder bring children, in a humorous way, closer to the different epochs of music history. The programme is based on the melody of a pop song from the 20s – “Was machst Du mit dem Knie, lieber Hans” – and uses varied instruments and musical elements in order to mediate the enjoyment of playing music to the children. From Stone Age rap to the electric violin.
30 Dec.: Viennese for the Close of the Year
From the birth of the Viennese waltz there were the compositions of the Viennese Classic with their German dances for the bourgeois dance halls and the Hofburg. The bliss of the waltz experienced its beginning of the golden age with compositions from Joseph Lanner and Johann Strauss (father). With waltz music, polkas and gallops – worked over by Thomas Trsek for a string quartet – the Wiener Salonquartett calls to dance.
<!--[if !supportLineBreakNewLine]-->
<!--[endif]--> 6 Jan. 2008: An Italian Afternoon
Although Italy is the country of opera, the great masters composed also chamber music. More so they encouraged virtuosos to use famous opera melodies to make effective fantasies. The berth of this programme includes original chamber music from Gioacchino Rossini and Gaetano Donizetti to opera from Vincenzo Bellini and Giuseppe Verdi to compositions from Nino Rota and Luciano Berio. The execution is done by Gernot Fresacher (clarinet) and Werner Karlinger (harp).
13 Jan. 2008: The Goldberg Variations
Johann Sebastian Bach’s extensive variation pieces is recognised as a pioneering masterpiece. Bach describes the piece himself as “an aria with different changes for the harpsichord with two keyboards.” It is named after one of his students, the composer and harpsicordist Johann Gottlieb Goldberg. Walter Riemer has intensively dedicated himself to this piece and performs it on the pianoforte.
20 Jan. 2008: As I went to Italy –
A Journey from London to Lake Maggiore
Kateřina Doležalová (soprano und harp) and Roman List (vocal, lute, bagpipes, Renaissance instruments) invite one on a musical journey through Europe of the Renaissance. With their varied programme the manifold sounds of the world of this epoch rise again and set the mood for the visit to the exhibition DIE SAMMLUNG BORROMEO.
27 Jan. 2008: Thank You, Mozart
On 27 January 1756 at 8:00 pm, Johannes Chrysostomus Wolfgangus Theophilus Mozart was born at Getreidegasse 3 in Salzburg. His special musical talent could be already seen early on. With his sister Nannerl and his father Leopold, he already travelled through half of Europe. From the numerous letters that Leopold Mozart sent to his native Salzburg, Paul Angerer will read and together with Concilium musicum Wien will give a “birthday concert.”
3 Feb. 2008: Carneval in Venice
Whether a noble man or a lackey, a courtesan or noble dame – since the founding of the city the veniticians have celebrated their “carnevale,” dressed in widen coats and feather hats, a mask before the face which allows one to mix unrecognised in the colourful bustle on the squares and in the palaces. Vienna’s ensemble, Pandolfis Consort Wien, and the ballet Cracovia Danza undertake a journey in time to Venice of the 17th and 18th centuries with pieces from Corelli, Falcognero and Vivaldi.
10 Feb. 2008: An Italian Ground –
Italian and English Baroque Music
<!--[if !supportEmptyParas]--> <!--[endif]--> Dance-like melancholy and weeping cheerfulness: two worlds of sound meet each other. Angélica Castelló (recorders) and Marinka Brecelj (harpsichord) lead through mist and sun with their intimate instruments. On the programme are compostions from Anthony Holborne, Antonio Vivaldi, Domenico Cimarosa and Henry Purcell.
<!--[if !supportLineBreakNewLine]-->
<!--[endif]--> 17 Feb. 2008: Suites for Violoncello from Johann Sebastian Bach – Part 1 <!--[if !supportEmptyParas]--> <!--[endif]-->
These suites from Johann Sebatian Bach are regarded as one of the most ambitious solo pieces for the violoncello and prove to be a special challenge for every interpreter. Probably composed for two instrumentalists of the court of Bach’s musical friend and patron Leopold, Prince of Anhalt-Köthen. Elisabeth Zeisner and Günter Schagerl divide the interpretation of the six suites on this and the following Sundays.
<!--[if !supportEmptyParas]--> <!--[endif]-->
24 Feb. 2008: Suites for Violoncello from Johann Sebastian Bach – Part 2
<!--[if !supportEmptyParas]--> <!--[endif]--> Bach’s autograph on the six suites for violoncello solo is not included, consequently a complete clarification of the history of the origin of these pieces is not possible. As basis for today’s distributed score releases, serves the copy from Bach’s wife Anna Magdalena, who between 1727 and 1731 on the instructions of her husband finished. Only just as Catalan cellist Pablo Casal brought out these pieces from the darkness of music history, with his unshortened offered interpretation, has it lead to their familiarity and popularity of today.
Museum visit included in the entry price!
Tickets for the Sunday concerts are available on weekends and also during the opening hours at the museum ticket window, Fri.-Mon. from 10:00 am to 5:00 pm.
**************************************************************
<!--[if !supportLineBreakNewLine]-->
<!--[endif]--> PROGRAMME:
4 Nov.: “Ich bin vergnügt”
The cantatas “Trauermusik eines kunsterfahrenen Canarienvogels” from Georg Philipp Telemann and “Ich bin vergnügt mit meinem Glücke” from Johann Sebastian Bach are only two of the entertaining programme points. The soprano Ursula Fiedler will be accompanied by a instrumental ensemble through this humorous programme.
11 Nov.: Classical Violin Sonatas
A selection of the numerous sonatas for piano and violin from Wolfgang Amadeus Mozart and Ludwig van Beethoven have been arranged by the violinist Thomas Fheodoroff and Stefan Gottfried on the pianoforte: of which to be heard is Mozart’s sonata in G major (KV 379) “…welche ich gestern Nachts von 11 Uhr bis 12 Componirt habe” as well as also Beethoven’s G major sonata op. 30/3.
18 Nov.: En Trio
Ingomar Rainer with his ensemble studio da camera has chosen for this concert pieces from German and French baroque: works from Dietrich Buxtehude, Johann Heinrich Erlebach, Jean-Philippe Rameau and Georg Philipp Telemann and instrumentation with violin, viola da gambe and harpsichord.
25 Nov.: Giro D`Italiano
A musical tour through passionate Italy of the 17th and 18th centuries with the ensemble musica novantica Vienna. The selection of pieces guarantees an exciting and diverse concert afternoon. Trio sonatas and solo sonatas for the transverse flute as well as the violoncello between Venice and Nepels from Arcangelo Corelli, Antonio Vivaldi and Domenico Gabrielli.
2 Dec.: Musical Advent Begin
With Advent and Christmas songs of varied styles and epochs, the Amerling Choir will get one in the right mood for Christmas. The young, mixed a cappella choir will give their best on pieces from different countries and cultures.
9 Dec.: Venetian Christmas
The Concilium musicum Wien and the soprano Arno Raunig will play vocal and instrumental Christmas music from Antonio Vivaldi, Nicola Antonio Porpora, Baldassare Galuppi, Tomaso Albinoni and Johann Adolph Hasse. Musical treasures from the Venetian area convey the feeling of Christmas.
16 Dec.: Dance Through the Centuries
Dance has always been an important societal factor. It was for a young noble of the Renaissance not less important, to learn the noble arts of Venus like the handling of weapons, and as seen in the course of the 18th century through the rise of the bourgeois society an increasing development of a broadened public and also private dance culture. The ensemble Ensemble Musica et Saltatoria Salzburg accompanies this programme with music from John Dowland, Henry Purcell, Wolfgang Amadeus Mozart and others.
<!--[if !supportLineBreakNewLine]-->
<!--[endif]--> 23 Dec.: A Small Tour Through Music History – Children’s Concert in the Hercules Hall
Angelika and Robert Rieder bring children, in a humorous way, closer to the different epochs of music history. The programme is based on the melody of a pop song from the 20s – “Was machst Du mit dem Knie, lieber Hans” – and uses varied instruments and musical elements in order to mediate the enjoyment of playing music to the children. From Stone Age rap to the electric violin.
30 Dec.: Viennese for the Close of the Year
From the birth of the Viennese waltz there were the compositions of the Viennese Classic with their German dances for the bourgeois dance halls and the Hofburg. The bliss of the waltz experienced its beginning of the golden age with compositions from Joseph Lanner and Johann Strauss (father). With waltz music, polkas and gallops – worked over by Thomas Trsek for a string quartet – the Wiener Salonquartett calls to dance.
<!--[if !supportLineBreakNewLine]-->
<!--[endif]--> 6 Jan. 2008: An Italian Afternoon
Although Italy is the country of opera, the great masters composed also chamber music. More so they encouraged virtuosos to use famous opera melodies to make effective fantasies. The berth of this programme includes original chamber music from Gioacchino Rossini and Gaetano Donizetti to opera from Vincenzo Bellini and Giuseppe Verdi to compositions from Nino Rota and Luciano Berio. The execution is done by Gernot Fresacher (clarinet) and Werner Karlinger (harp).
13 Jan. 2008: The Goldberg Variations
Johann Sebastian Bach’s extensive variation pieces is recognised as a pioneering masterpiece. Bach describes the piece himself as “an aria with different changes for the harpsichord with two keyboards.” It is named after one of his students, the composer and harpsicordist Johann Gottlieb Goldberg. Walter Riemer has intensively dedicated himself to this piece and performs it on the pianoforte.
20 Jan. 2008: As I went to Italy –
A Journey from London to Lake Maggiore
Kateřina Doležalová (soprano und harp) and Roman List (vocal, lute, bagpipes, Renaissance instruments) invite one on a musical journey through Europe of the Renaissance. With their varied programme the manifold sounds of the world of this epoch rise again and set the mood for the visit to the exhibition DIE SAMMLUNG BORROMEO.
27 Jan. 2008: Thank You, Mozart
On 27 January 1756 at 8:00 pm, Johannes Chrysostomus Wolfgangus Theophilus Mozart was born at Getreidegasse 3 in Salzburg. His special musical talent could be already seen early on. With his sister Nannerl and his father Leopold, he already travelled through half of Europe. From the numerous letters that Leopold Mozart sent to his native Salzburg, Paul Angerer will read and together with Concilium musicum Wien will give a “birthday concert.”
3 Feb. 2008: Carneval in Venice
Whether a noble man or a lackey, a courtesan or noble dame – since the founding of the city the veniticians have celebrated their “carnevale,” dressed in widen coats and feather hats, a mask before the face which allows one to mix unrecognised in the colourful bustle on the squares and in the palaces. Vienna’s ensemble, Pandolfis Consort Wien, and the ballet Cracovia Danza undertake a journey in time to Venice of the 17th and 18th centuries with pieces from Corelli, Falcognero and Vivaldi.
10 Feb. 2008: An Italian Ground –
Italian and English Baroque Music
<!--[if !supportEmptyParas]--> <!--[endif]--> Dance-like melancholy and weeping cheerfulness: two worlds of sound meet each other. Angélica Castelló (recorders) and Marinka Brecelj (harpsichord) lead through mist and sun with their intimate instruments. On the programme are compostions from Anthony Holborne, Antonio Vivaldi, Domenico Cimarosa and Henry Purcell.
<!--[if !supportLineBreakNewLine]-->
<!--[endif]--> 17 Feb. 2008: Suites for Violoncello from Johann Sebastian Bach – Part 1 <!--[if !supportEmptyParas]--> <!--[endif]-->
These suites from Johann Sebatian Bach are regarded as one of the most ambitious solo pieces for the violoncello and prove to be a special challenge for every interpreter. Probably composed for two instrumentalists of the court of Bach’s musical friend and patron Leopold, Prince of Anhalt-Köthen. Elisabeth Zeisner and Günter Schagerl divide the interpretation of the six suites on this and the following Sundays.
<!--[if !supportEmptyParas]--> <!--[endif]-->
24 Feb. 2008: Suites for Violoncello from Johann Sebastian Bach – Part 2
<!--[if !supportEmptyParas]--> <!--[endif]--> Bach’s autograph on the six suites for violoncello solo is not included, consequently a complete clarification of the history of the origin of these pieces is not possible. As basis for today’s distributed score releases, serves the copy from Bach’s wife Anna Magdalena, who between 1727 and 1731 on the instructions of her husband finished. Only just as Catalan cellist Pablo Casal brought out these pieces from the darkness of music history, with his unshortened offered interpretation, has it lead to their familiarity and popularity of today.
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